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14
Jul

Medieval Antiphonary of the National Museum Library

In 2025, the National Museum Library provided online access to the summer part of the Minorite antiphonary of Czech origin (shelf number XV A 1). The manuscript is dated to the period around 1380 on the basis of its decoration, and the oficium for the feast of St Wenceslas, which is recorded in it, represents one of the basic sources for understanding its medieval form in the context of the Minorite Order.

17
Jun

Martyrologium from the Olomouc Research Library

A martyrology from the first half of the 14th century (shelf number M II 100) was digitised from the collections of the Olomouc Research Library in 2025. The manuscript was probably intended for a monastery of the Minorite order and, according to the obituary inscriptions in the margins of the pages, was certainly used in the Czech environment in the Middle Ages, perhaps in Olomouc, where it is evidenced in the 15th century.

17
Jun

Autographs of Magdalena Dobromila Rettig from the Regional Museum in Litomyšl

The Regional Museum in Litomyšl has made two autographs of Magdalena Dobromila Rettig available online from its collections. The more extensive one (R-207) contains parts of the text Mladá hospodyňka v domácnosti jak sobě počínati má, aby své i manželovy spokojenosti došla, published in Prague in 1840, and documents the author's creative writing style, including corrections and additions to the text (the autograph dates from 1833). The shorter text (R-206) is a German-language autobiography. The manuscript is incomplete or incompletely preserved, yet these notes are the most comprehensive biography of Magdalena Dobromila Rettig.

17
Jun

Musical Manuscripts of the Prague Conservatory

Four volumes from the Prague Conservatory collections were digitised in 2025. The oldest of these was written in 1718 and contains Alessandro Scarlatti's Il trionfo dell'onore; according to the information on the decorated binding, it was written for Jan Václav of Gallas. The other three date from the late 18th century and are a piano excerpt from Wolfgang Amadeus Mozart's Cosi fan tutte and a cantata by Leopold Koželuh for the coronation of Leopold II.

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